What is to be Done? by Nikolay Chernyshevsky

The relations of Marya Alekséyevna to Lopukhóf resemble a farce; Marya Alekséyevna's character is exposed by them in a ridiculous way. Both these facts are quite against my will. If I had wanted to preserve a high standard of art, I should have concealed Marya Alekséyevna's relations to Lopukhóf, the description of which gives this part of my story the nature of a vaudeville. To hide them would have been easy. The essential element of the matter could have been expressed without them. Would it have been at all surprising if the tutor, even if he had not entered into this friendship with Marya Alekséyevna, had found occasion sometimes, though seldom, to say a few words with the daughter of a family where he is giving lessons? Does it take many words to engender love? There was no need of Marya Alekséyevna putting in a hand to help along this result which was brought about by the meeting of Viérotchka with Lopukhóf. But I am telling this story, not as it would be necessary if I wanted to win an artistic reputation, but simply in accordance with the facts. As a novelist, I am very sorry because I have written several pages which are on the low level of a vaudeville.

My design of relating the case as it was, and not as it would have been if I had followed my inclinations, also causes me another unpleasantness. I am very much dissatisfied because Marya Alekséyevna is represented in a ridiculous way with her conceptions of Lopukhóf's bride as he described her, with her fantastic guessing about the contents of the books which Lopukhóf gave Viérotchka, with her reasoning about Philippe Egalité trying to convert folks to the faith of the Pope, and her ideas of the works written by King Louis XIV. Everyone is liable to error; mistakes may be stupid if a man judges of matters which are foreign to his experience; but it would be unjust to conclude from these stupid blunders made by Marya Alekséyevna that her disposition to Lopukhóf was founded entirely on these blunders; not at all, not for a moment would any fantastic ideas of a rich bride or the goodness of Philippe Egalité have obscured her common sense, if in Lopukhóf's actual words and actions had anything suspicious been noticeable. But in point of fact, he behaved himself in such a way that, according to Marya Alekséyevna's opinion, only a man after her own heart could behave himself; now here was a brave young man, who did not allow his eyes to gaze impudently at a very pretty young girl; he did not pay her ambiguous attentions, he was always willing to play cards with Marya Alekséyevna, he never said that he would rather sit with Viéra Pavlovna, he discussed matters in a spirit that seemed to Marya Alekséyevna in accordance with her own spirit; like her, he said that everything in the world is done for self-interest, that when a cheat cheats (plut plutŭyet), there is no need of getting excited and crying out about the principles of honesty which such a cheat is bound to observe, that a cheat is not a cheat without good reason, that he was made such by his environment, that not to be a cheat -- leaving aside the impossibility of not being a cheat -- would have been stupid, that is, simply foolish on his part. Yes, Marya Alekséyevna was right, when she found a resemblance between her and Lopukhóf.