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Of course, the main subject of the conversations between Lopukhóf and Viérotchka was not the question as to which fashion of ideas should be looked upon as the right one; but, as a rule, they spoke with each other very little, and their long talks, which rarely occurred, touched upon only outside matters, such as ways of thinking, and kindred topics. They knew that two very vigilant eyes were on them. And, consequently, in regard to the main thing that interested them, they exchanged very few words; and this was generally at the time when they were getting the music ready for playing or singing. And this main topic which occupied so small a place in their infrequent long talks, and even in their brief snatches of talk, occupied but a small place -- this subject was not their feeling towards each other -- not at all; they did not speak a word after the first indefinite words which were said at their first talk during the party; they had no time to speak about it. In the two or three minutes used for the exchange of thought, without the fear of being overheard, they had hardly time to speak about the other subject, which was more important to them than their own thoughts and feelings; and this was in regard to the ways and means by which Viérotchka could escape her terrible situation.
On the morning that followed his first conversation with her, Lopukhóf took pains to find out how it would be possible for her to become an actress. He knew that there were a good many risks and trials standing in the way of a girl going on the stage; but he thought that with a firm character she might succeed all straight. But it proved to be otherwise. When he came to give his lesson, two days later, he was compelled to say to Viérotchka, "I advise you to give up the thought of becoming an actress."