Audrey Craven by May Sinclair

There was a certain truth in Hardy's description of Ted Haviland. Ted had all a baby's fascination, a baby's irresponsibility, and a baby's rigid tenacity of purpose. There perhaps the likeness ended. At any rate, Ted had contrived to plan a career for himself at the age of seven, had said nothing about it for ten years, and then quietly carried it through in spite of circumstances and the influential members of his family. These powers had been against him from the first. His mother had died in giving him birth; and as his father chose to hold him directly responsible for the tragedy, his early years were passed somewhat under a cloud. Katherine was his only comfort and stay. The girl had five years the start of him, which gave her an enormous advantage in dealing with the uncertain details of life. Her method was simplicity itself. It was summed up in the golden rule: Take your own way first, and then let other people take theirs. It was in this spirit that, mounted on a table, she painted the great battle-piece that covered the north wall of the nursery; and with equal heroism she met the unrighteous Nemesis that waits upon mortal success, and skipped off to bed at three o'clock in the afternoon as if to a tea-party. Ted worshipped his sister, because of her courage and resource, because of her fuzzy black hair cut short like a boy's, for the strength of her long limbs, and for a hundred other reasons. And Katherine loved Ted with a passion all the more intense because he was the only creature she knew that would let itself be loved comfortably; for "Papa" was an abstraction, and "Nurse" erred on the opposite extreme, being a terribly concrete reality, with a great many acute angles about her, which was a drawback to demonstrations of affection.

One day Katherine mixed some colours for Ted and taught him how to manage a pencil and paint-brush. That was just before she went to school, and then Ted said to himself, "I too will paint battle-pieces"; and he painted them in season and out of season, and was obliged to hide them away in drawers and cupboards and places, for there was no one to care for them now that Kathy was gone. As for that headstrong young person, her method was so far successful that when she was eighteen it began to be rumoured in the family that Katherine would do great things, but that Ted was an idle young beggar. The boy had shown no talent for anything in particular, and nobody had thought of his future: not Katherine -- she was too busy with her own -- and certainly not his father, who at the best of times lived piously in the past with the memory of his dead wife, and was day by day loosening his hold upon the present. For Ted "Papa" became more and more an abstraction, until a higher Power withdrew him altogether from earthly affairs.