The Dark Forest by Hugh Walpole — Read

It was on July 23 that I first entered the Forest of S -- . I did not, I remember, pay the event any especial attention. I went with Anna Petrovna to the cholera village that is on the outskirts of the forest, and I recollect that we hastened back because that evening we were to celebrate the conclusion of the first six months' work of our Otriad. Of my entrance into the forest I remember absolutely nothing; it seemed, I suppose, an ordinary enough forest to me. Of the festivities in the evening I have a very clear recollection. I remember that it was the loveliest summer weather, not too hot, with a little breeze coming up from the river, and the green glittering on every side of us with the quiver of flashing water. In the little garden outside our house a table had been improvised and on this were a large gilt icon, a vase of flowers in a hideous purple jar, and two tall candles whose flames looked unreal and thin in the sunlight. There was the priest, a fine stout man with a long black beard and hair falling below his shoulders, clothed in silk of gold and purple, waving a censer, monotoning the prayers in a high Russian tenor, with one eye on the choir of sanitars, one eye on the candles blown by the wind, the breeze meanwhile playing irreverent jests on his splendid skirts of gold. Then there was the congregation in three groups. The first group -- two generals, two colonels, four or five other officers, the Sisters (Sister K -- -- bowing and crossing herself incessantly, Anna Petrovna with her attention obviously on the dinner cooking behind a tree in the garden, Marie Ivanovna looking lovely and happy and good), ourselves -- Molozov official, Semyonov sarcastic, Nikitin in a dream, Andrey Vassilievitch busy with his smart uniform, Trenchard (forgotten his sword, his blue handkerchief protruding from his pocket) absorbed by the ceremony, myself thinking of Trenchard, Goga -- and the rest. The second group -- the singing sanitars, some ten of them, stout and healthy, singing as Russians do with complete self-forgetfulness and a rapturous happiness in front of them, a funny little man with spectacles and a sharp-pointed beard, once a schoolmaster, now a sanitar, conducting their music with a long bony finger -- all of them chanting the responses with perfect precision and harmony. Third group, the other sanitars, the strangest collection of faces, wild, savage and eastern: Tartars, Lithuanians, Mongolian, mild and northern, cold and western, merry and human from Little Russia, gigantic and fierce from the Caucasus, small and frozen from Archangel, one or two civilised and superior and uninteresting from Petrograd and Moscow.

Over the wall a long row of interested Galician peasants and soldiers passing in carts or on horseback. Seeing the icon, the priest, the blowing candles, hearing the singing they would take off their hats, cross themselves, for a moment their eyes would go dreamy, mild, forgetful, then on their hats would go again, back they would turn their horses, cursing them up the hill, chaffing the Galician women, down deep in the everyday life again.