A Backward Glance by Edith Wharton

5.1..

At the end of my second winter in New York I was married; and thenceforth my thirst for travel was to be gratified. My husband, whose family came from Virginia, but whose father had married in Boston and settled there, was an intimate friend of my brother's, and had long been an annual visitor at Pencraig. He was thirteen years older than myself, but the difference in age was lessened by his natural youthfulness, his good humour and gaiety, and the fact that he shared my love of animals and out-door life, and was soon to catch my travel-fever. It was not that, either then or later, I was restless, or eager for change for its own sake. My first care was to create a home of my own; and a few months after our marriage my husband and I moved into a little cottage in the grounds of Pencraig, and rearranged it in accordance with our tastes. I was never very happy at Newport. The climate did not agree with me, and I did not care for watering-place mundanities, and always longed for the real country; but the place and the life suited my husband, and in any case we could not have afforded to buy a property of our own. So we settled down at Pencraig Cottage, and for a few years always lived there from June till February; and I was too busy with my little house and garden ever to find the time long. But every year we went abroad in February for four months of travel; and it was then that I really felt alive. Vernon Lee, John Addington Symonds and "John Inglesant" had added to my library of Italian travel, and "Euphorion" and "The Italian Renaissance" had given me joys I should be ungrateful not to record. Another book, of a totally different kind, figured among my more recent Awakeners; and that was James Fergusson's "History of Architecture," at that time one of the most stimulating books that could fall into a young student's hands. A generation nourished on learned monographs, monumental histories, and works of reference covering every period of art from Babylonian prehistory to the present day, would find it hard to believe how few books of the sort, especially on architecture and sculpture, were available in my youth. Fergusson's "History of Architecture" was an amazing innovation in its day. It shed on my misty haunting sense of the beauty of old buildings the light of historical and technical precision, and cleared and extended my horizon as Hamilton's "History of Philosophy," and my little old handbook of logic, had done in another way.