Indian Summer by William Dean Howells

When he entered the beautiful old garden, its benison of peace fell upon his tumult, and he began to breathe a freer air, reverting to his purpose to be gone in the morning and resting in it, as he strolled up the broad curve of its alley from the gate. He had not been there since he walked there with one now more like a ghost to him than any of the dead who had since died. It was there that she had refused him; he recalled with a grim smile the awkwardness of getting back with her to the gate from the point, far within the garden, where he had spoken. Except that this had happened in the fall, and now it was early spring, there seemed no change since then; the long years that had elapsed were like a winter between.

He met people in groups and singly loitering through the paths, and chiefly speaking English; but no one spoke to him, and no one invaded the solitude in which he walked. But the garden itself seemed to know him, and to give him a tacit recognition; the great, foolish grotto before the gate, with its statues by Bandinelli, and the fantastic effects of drapery and flesh in parti-coloured statues lifted high on either side of the avenue; the vast shoulder of wall, covered thick with ivy and myrtle, which he passed on his way to the amphitheatre behind the palace; the alternate figures and urns on their pedestals in the hemicycle, as if the urns were placed there to receive the ashes of the figures when they became extinct; the white statues or the colossal busts set at the ends of the long alleys against black curtains of foliage; the big fountain, with its group in the centre of the little lake, and the meadow, quiet and sad, that stretched away on one side from this; the keen light under the levels of the dense pines and ilexes; the paths striking straight on either hand from the avenue through which he sauntered, and the walk that coiled itself through the depths of the plantations; all knew him, and from them and from the winter neglect which was upon the place distilled a subtle influence, a charm, an appeal belonging to that combination of artifice and nature which is perfect only in an Italian garden under an Italian sky. He was right in the name which he mockingly gave the effect before he felt it; it was a debauch, delicate, refined, of unserious pensiveness, a smiling melancholy, in which he walked emancipated from his harassing hopes, and keeping only his shadowy regrets.