Now it can be Told by Philip Gibbs — Read

Our men were not always in the trenches. As the New Army grew in numbers reliefs were more frequent than in the old days, when battalions held the line for long spells, until their souls as well as their bodies were sunk in squalor. Now in the summer of 1915 it was not usual for men to stay in the line for more than three weeks at a stretch, and they came back to camps and billets, where there was more sense of life, though still the chance of death from long-range guns. Farther back still, as far back as the coast, and all the way between the sea and the edge of war, there were new battalions quartered in French and Flemish villages, so that every cottage and farmstead, villa, and château was inhabited by men in khaki, who made themselves at home and established friendly relations with civilians there unless they were too flagrant in their robbery, or too sour in their temper, or too filthy in their habits. Generally the British troops were popular in Picardy and Artois, and when they left women kissed and cried, in spite of laughter, and joked in a queer jargon of English-French. In the estaminets of France and Flanders they danced with frowzy peasant girls to the tune of a penny-in-the-slot piano, or, failing the girls, danced with one another.

For many years to come, perhaps for centuries, those cottages and barns into which our men crowded will retain signs and memories of that British occupation in the great war. Boys who afterward went forward to the fighting-fields and stepped across the line to the world of ghosts carved their names on wooden beams, and on the whitewashed walls scribbled legends proclaiming that Private John Johnson was a bastard; or that a certain battalion was a rabble of ruffians; or that Kaiser Bill would die on the gallows, illustrating those remarks with portraits and allegorical devices, sketchily drawn, but vivid and significant.