The Stone Raft by José Saramago

This olive tree is cordovil, or cordovesa, or cordovia, what does it matter, for these three names are used indifferently on Portuguese soil, and the olive fruit it produces, because of its size and beauty, would be referred to here as the queen of olives but not as Cordovan, although we're closer to Cordoba than to the frontier beyond. These seem superfluous details of no real importance, melismatic vocalizations, the ornamental artifices of a plainsong that dreams of wings of sonorous melody, when it is much more important to speak of the three men seated beneath the olive tree, one of whom is Pedro Orce, the second Joaquim Sassa, the third José Anaico, what prodigious events or deliberate manipulations could have brought them together in this place.

But calling the olive tree cordovil will at least serve to show just how remiss the Evangelists were, when, for example, they confined themselves to writing that Jesus cursed the fig tree, this information should be enough for us but it isn't enough, no sir, after all, twenty centuries have passed and we still do not know whether the cursed tree produced white or black figs, early or late, of this or that variety, not that Christian doctrine is likely to suffer because of this omission, but historical truth most certainly suffers. Anyhow, the olive tree is cordovil, and three men are sitting under it.