The Tale of the Unknown Island by José Saramago

One enters the cemetery via an old building with a facade which is the twin sister of the Central Registry facade. There are the same three black stone steps, the same ancient door in the middle, the same five narrow windows above. Apart from the great two-leaved door alongside the facade, the only observable difference would be the sign above the entrance, in the same enamelled lettering, that says General Cemetery. The large door was closed many years ago, when it was clear that access through there had become impracticable, that it had ceased satisfactorily to fulfil the end for which it had been intended, that is, to allow easy passage not only for the dead and their companions, but also for those who would visit the dead afterwards.

Like all cemeteries in this or any other world, it was tiny when it started, a small patch of land on the outskirts of what was still the embryo of a city, turned to face the open air of the fields, but later, alas, with the passing of time, the inevitable happened, it kept growing and growing and growing, until it became the immense necropolis that it is today. At first, it was surrounded by a wall and, for generations, whenever the pressure inside began to hinder both the orderly accommodation of the dead and the free circulation of the living, they did the same as in the Central Registry, they would demolish the walls and rebuild them a little farther on.