The Wrong Box by Robert Louis Stevenson

Morris returned from Waterloo in a frame of mind that baffles description. He was a modest man; he had never conceived an overweening notion of his own powers; he knew himself unfit to write a book, turn a table napkin-ring, entertain a Christmas party with legerdemain -- grapple (in short) any of those conspicuous accomplishments that are usually classed under the head of genius. He knew -- he admitted -- his parts to be pedestrian, but he had considered them (until quite lately) fully equal to the demands of life. And today he owned himself defeated: life had the upper hand; if there had been any means of flight or place to flee to, if the world had been so ordered that a man could leave it like a place of entertainment, Morris would have instantly resigned all further claim on its rewards and pleasures, and, with inexpressible contentment, ceased to be. As it was, one aim shone before him: he could get home. Even as the sick dog crawls under the sofa, Morris could shut the door of John Street and be alone.

The dusk was falling when he drew near this place of refuge; and the first thing that met his eyes was the figure of a man upon the step, alternately plucking at the bell-handle and pounding on the panels. The man had no hat, his clothes were hideous with filth, he had the air of a hop-picker. Yet Morris knew him; it was John.