The Country of The Knife by Robert E. Howard

WHEN THE DOOR in the archway burst inward under the impact of Gordon's iron-hard shoulders, he tumbled backward into a dim, carpeted hallway. His pursuers, crowding after him, jammed in the doorway in a sweating, cursing crush which his saber quickly turned into a shambles. Before they could clear the door of the dead, he was racing down the hall.

He made a turn to the left, ran across a chamber where veiled women squealed and scattered, emerged into a narrow alley, leaped a low wall, and found himself in a small garden. Behind him sounded the clamor of his hunters, momentarily baffled. He crossed the garden and through a partly open door came into a winding corridor. Somewhere a slave was singing in the weird chant of the Soudan, apparently heedless of the dog-fight noises going on upon the other side of the wall. Gordon moved down the corridor, careful to keep his silver heels from clinking. Presently he came to a winding staircase and up it he went, making no noise on the richly carpeted steps. As he came out into an upper corridor, he saw a curtained door and heard beyond it a faint, musical clinking which he recognized. He glided to the partly open door and peered through the curtains. In a richly appointed room, lighted by a tinted skylight, a portly, gray-bearded man sat with his back to the door, counting coins out of a leather bag into an ebony chest. He was so intent on the business at hand that he did not seem aware of the growing clamor below. Or perhaps street riots were too common in Rub el Harami to attract the attention of a thrifty merchant, intent only on increasing his riches.