Martha's Lady by Sarah Orne Jewett

To lose out of sight the friend whom one has loved and lived to please is to lose joy out of life. But if love is true, there comes presently a higher joy of pleasing the ideal, that is to say, the perfect friend. The same old happiness is lifted to a higher level. As for Martha, the girl who stayed behind in Ashford, nobody's life could seem duller to those who could not understand; she was slow of step, and her eyes were almost always downcast as if intent upon incessant toil; but they startled you when she looked up, with their shining light. She was capable of the happiness of holding fast to a great sentiment, the ineffable satisfaction of trying to please one whom she truly loved. She never thought of trying to make other people pleased with herself; all she lived for was to do the best she could for others, and to conform to an ideal, which grew at last to be like a saint's vision, a heavenly figure painted upon the sky.

On Sunday afternoons in summer, Martha sat by the window of her chamber, a low-storied little room, which looked into the side yard and the great branches of an elm-tree. She never sat in the old wooden rocking-chair except on Sundays like this; it belonged to the day of rest and to happy meditation. She wore her plain black dress and a clean white apron, and held in her lap a little wooden box, with a brass ring on top for a handle. She was past sixty years of age and looked even older, but there was the same look on her face that it had sometimes worn in girlhood. She was the same Martha; her hands were old-looking and work-worn, but her face still shone. It seemed like yesterday that Helena Vernon had gone away, and it was more than forty years.