Death and the Child by Stephen Crane

Climbing slowly to the high infantry position, Peza was amazed to meet a soldier whose jaw had been half shot away, and who was being helped down the sheep track by two tearful comrades. The man's breast was drenched with blood, and from a cloth which he held to the wound drops were splashing wildly upon the stones of the path. He gazed at Peza for a moment. It was a mystic gaze, which Peza withstood with difficulty. He was exchanging looks with a spectre; all aspect of the man was somehow gone from this victim. As Peza went on, one of the unwounded soldiers loudly shouted to him to return and assist in this tragic march. But even Peza's fingers revolted; he was afraid of the spectre; he would not have dared to touch it. He was surely craven in the movement of refusal he made to them. He scrambled hastily on up the path. He was running away.

At the top of the hill he came immediately upon a part of the line that was in action. Another battery of mountain guns was here firing at the streaks of black on the plain. There were trenches filled with men lining parts of the crest, and near the base were other trenches, all crashing away mightily. The plain stretched as far as the eye can see, and from where silver mist ended this emerald ocean of grass, a great ridge of snow-topped mountains poised against a fleckless blue sky. Two knolls, green and yellow with grain, sat on the prairie confronting the dark hills of the Greek position. Between them were the lines of the enemy. A row of trees, a village, a stretch of road, showed faintly on this great canvas, this tremendous picture, but men, the Turkish battalions, were emphasized startlingly upon it. The ranks of troops between the knolls and the Greek position were as black as ink.