Mad Barbara by Warwick Deeping

In the salon of the Purcells' house in Pall Mall there hung a portrait of the Spanish lady whom the Purcell of Queen Bess's days had won with the romantic daring of an adventurer's sword. It was the portrait of a young woman in a quaint stiff dress of black and gold, her dark hair curled loosely about her head, and her black eyes looking down out of a proud and rather peevish face.

The portrait was touched by a ray of sunlight that October morning when John Gore stood beneath it, finding a strange and wistful familiarity in the Spaniard's face. He was waiting in the salon for my Lady Purcell, being the bearer of a letter from his father, who had ridden suddenly into the eastern counties, giving no other reason than that of business with a friend. These Purcell pictures had been familiar to John Gore from his boyhood, yet they were full of a deeper significance for him now as he searched face after face, but especially that of the lady in black and gold. There was a stretch of landscape in one corner of the picture, the one sunlit space upon the canvas, a scene of meadows and of woodlands, with a mansion of red brick rising from the narrow waters of a moat. John Gore guessed it to be the Purcells' house of Thorn, now ruinous in a Sussex waste, but once the home of the fair Spaniard with the peevish mouth.