The Story of a Play by William Dean Howells

They did not try working the play into a story again together. Maxwell kept doggedly at it, though he said it was of no use; the thing had taken the dramatic form with inexorable fixity as it first came from his mind; it could be changed, of course, but it could only be changed for the worse, artistically. If he could sell it as a story, the work would not be lost; he would gain the skill that came from doing, in any event, and it would keep him alive under the ill-luck that now seemed to have set in.

None of the managers wanted his play. Some of them seemed to want it less than others; some wanted it less immediately than others; some did not want it after reading; some refused it without reading it; some had their arrangements made for an indefinite time, others in the present uncertain state of affairs could not make any arrangements; some said it was an American play; others that it was un-American in its pessimistic spirit; some found it too literary; others, lacking in imagination. They were nearly all so kind that at first Maxwell was guilty of the folly of trying to persuade them against the reasons they gave; when he realized that these reasons were also excuses, he set his teeth and accepted them in silence.