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Mr. Desrolles left the Manor House a new man. He held his head erect, and bore himself with a lofty air even before the butler who showed him out. He was respectabilised by a full purse. There was nothing left in him of the shabby, downcast stranger who had approached the house with an air of mingled mystery and apprehension. Trimmer hardly knew him. The man's seedy overcoat hung with the reckless grace of artistic indifference to attire, and not with the forlorn droop of beggary. His hat was set on with a debonair slant. He looked a Bohemian, a painter, an actor, a popular parson gone to the bad: anything rather than an undistinguished pauper. He flung Trimmer half-a-crown with the lofty elegance of a Lauzun or a Richelieu, nodded a condescending good-night, and walked slowly along the gravel drive, humming _La Donna e mobile_, with not an unskilful mimicry of him who, of all men that ever walked the boards of Covent Garden, looked and moved like a prince of the blood royal, and the thinnest thread of whose fading voice sent a thrill through every heart in the vast opera-house.
The snow was no longer falling. It lay in patches here and there upon the grass, and whitened the topmost edge of the moor, but there was an end of the brief snowstorm. The stars were shining in a deep blue sky, calm and clear as at midsummer. The moon was rising behind the dark ridge of moor. It was a scene that might have stirred the heart of a man fresh from the life of cities; but the thoughts of Desrolles were occupied in considering the new aspect given to affairs by his discovery of Jack Chicot in the young squire of Hazlehurst, and in calculating how he might best turn the occasion to his own peculiar profit.