The Confessions of Nat Turner by William Styron

ABOVE THE BARREN, SANDY CAPE WHERE the river joins the sea, there is a promontory or cliff rising straight up hundreds of feet to form the last outpost of land. One must try to visualize a river estuary below this cliff, wide and muddy and shallow, and a confusion of choppy waves where the river merges with the sea and the current meets the ocean tide. It is afternoon. The day is clear, sparkling, and the sun seems to cast no shadow anywhere. It may be the commencement of spring or perhaps the end of summer; it matters less what the season is than that the air is almost seasonless-benign and neutral, windless, devoid of heat or cold. As always, I seem to be approaching this place alone in some sort of boat (it is a small boat, a skiff or maybe a canoe, and I am reclining in it comfortably; at least I have no sense of discomfort nor even of exertion, for I do not row-the boat is moving obediently to the river's sluggish seaward wallow), floating calmly toward the cape past which, beyond and far, deep blue, stretches the boundless sea. The shores of the river are unpeopled, silent; no deer run through the forests, nor do any gulls rise up from the deserted, sandy beaches. There is an effect of great silence and of an even greater solitude, as if life here had not so much perished as simply disappeared, leaving all-river shore and estuary and rolling sea-to exist forever unchanged like this beneath the light of a motionless afternoon sun.

Now as I drift near the cape I raise my eyes to the promontory facing out upon the sea. There again I see what I know I will see, as always. In the sunlight the building stands white-stark white and serene against a blue and cloudless sky. It is square and formed of marble, like a temple, and is simply designed, possessing no columns or windows but rather, in place of them, recesses whose purpose I cannot imagine, flowing in a series of arches around its two visible sides. The building has no door, at least there is no door that I can see. Likewise, just as this building possesses neither doors nor windows, it seems to have no purpose, resembling, as I say, a temple-yet a temple in which no one worships, or a sarcophagus in which no one lies buried, or a monument to something mysterious, ineffable, and without name. But as is my custom whenever I have this dream or vision, I don't dwell upon the meaning of the strange building standing so lonely and remote upon its ocean promontory, for it seems by its very purposelessness to be endowed with a profound mystery which to explore would yield only a profusion of darker and perhaps more troubling mysteries, as in a maze.