May Fair by Michael Arlen

I

There is a tale that is told in London, and maybe it is told also in the _salons_ of New York and upon the Boulevards of Paris, how one night a nightingale sang in Berkeley Square and how that song was of a doubtful character calculated to provoke disorder in households brought up in the fear of God. Needless to say, there are not wanting those who will have it that no nightingale could have done such a thing; nor has the meanness of envy ever been so clearly shown as by those who have suborned certain bird-fanciers into declaring that the nightingale is a bird notably averse from singing in squares and that the legend should therefore be deleted from the folk-tales of Mayfair. But, however that may be, the song of the nightingale is far from being the burden of this tale, which has to do in a general way with a plague of owls, in a particular way with one owl, and in a most particular way with the revolting doom of a gentleman who would not dance with his wife. Many will hold, in extenuation of his disagreeable attitude, that he could not dance. But could he not have taken a lesson or two?