Suspense, Volume I by Henry Seton Merriman

At the upper end of the fjord of the same name lies the small village of Fjaerholm. A white wooden church of conventional architecture is the most prominent, and at the same time the most unsightly, feature in the landscape. Around this edifice are clustered a few wooden houses, mostly painted white or yellow with a sparing brush, because paint is heavy freight, and can be bought only in Bergen or Christiania. Houses and church alike are roofed with red tiles of a bright and cleanly hue, which will be preserved much longer than the memory of the tiler. There is no smoke in Fjaerholm, and a long cold winter kills any moss-like growth, so everything looks clean and new.

Across the fjord, which is white and milky from the glaciers, is one farm, or what is by courtesy called a farm -- a mere matter of ten acres or so divided into patches of potato, hay and wheat. Fjaerholm, like most Norwegian villages, hamlets, and homesteads, suggests a question. One cannot help wondering why it ever came there. The tillable soil is of sufficient area to nourish a single family, but no more, and yet a whole village manages to wrest a frugal sustenance from it. There is a post-office, and a postmaster who wears the inevitable spectacles and brown linen jacket; and he again suggests a question. With one mail a week, in and out on the same day -- namely, Friday -- what employment can he find during the other six? Yet he is as grave and busy as a young bank clerk in the presence of his manager. He is constantly walking backwards and forwards across the single unpaved street from his home to his office, from his office to his home, with two pieces of official paper held between his finger and thumb, his pen in his mouth, his elbow officially squared, and his linen jacket fluttering, all with an air of intense preoccupation. Poor postmaster! It is mean to fire off cheap sarcastic fireworks from a safe distance. There are others among us who wear a preoccupied air over nothing, and flourish our flimsy official papers with intense self-satisfaction.