American Psycho by Bret Easton Ellis — Read

I'm standing in Paul Smith talking to Nancy and Charles Hamilton and their two-year-old daughter, Glenn. Charles is wearing a four-button double-breasted linen suit by Redaelli, a cotton broadcloth shirt by Ascot Chang, a patterned silk tie by Eugenio Venanzi and loafers by Brooks Brothers. Nancy is wearing a silk blouse with mother-of-pearl sequins and a silk chiffon skirt by Valentino and silver earrings by Reena Pachochi. I'm wearing a six-button double-breasted chalk-striped wool suit and a patterned silk tie, both by Louis, Boston, and a cotton oxford cloth shirt by Luciano Barbera. Glenn is wearing silk Armani overalls and a tiny Mets cap. As the salesgirl rings up Charles's purchases, I'm playing with the baby while Nancy holds her, offering Glenn my platinum American Express card, and she grabs at it excitedly, and I'm shaking my head, talking in a high-pitched baby voice, squeezing her chin, waving the card in front of her face, cooing, "Yes I'm a total psychopathic murderer, oh yes I am, I like to kill people, oh yes I do, honey, little sweetie pie, yes I do. " After the office today I played squash with Ricky Hendricks, then had drinks with Stephen Jenkins at Fluties and I'm supposed to meet Bonnie Abbott for dinner at Pooncakes, the new Bishop Sullivan restaurant in Gramercy Park, at eight o'clock. The Patty Winters Show this morning was about Concentration Camp Survivors. I take out a Sony Watchman pocket TV (the FD-270) that has a 2.7-inch black-and-white miniscreen and weighs only thirteen ounces, and hold it out to Glenn. Nancy asks, "How's the shad roe at Rafaeli's? " Right now, outside this store, it's not dark yet but it is getting there.

"It's terrific," I murmur, staring happily at Glenn.