Explore "The Cords of Vanity" by James Branch Cabell on Textopian. Read with annotations and highlights.
She would not tell me her real name. She was unmarried -- this much she told me, but of her past life, her profession, or of her future she never spoke. "I don't want to talk about it," she said, candidly. "We play for a week in Fairhaven, and here, once off the stage, I intend to forget I am an actress. When I am on the stage," she added, in meditative wise, "of course everyone knows I am not."
I laughed. I found her very satisfying; she was not particularly intelligent, perhaps, but then I was beginning to consider clever women rather objectionable creatures. There was a sufficiency of them among the Charteris house-party -- Alicia Wade, for instance, and Pauline Ashmeade and Cynthia Chaytor -- and I thought of them almost resentfully. The world had accorded them not exactly what they most wanted, perhaps, but, at least, they had its luxuries; and they said sharp, cynical things about the world in return. In a woman's mouth epigrams were as much out-of-place as a meerschaum pipe.