A Mere Chance by Ada Cambridge — Read

The drawing-room of the house in Toorak where our heroine lived, looked very cosy and comfortable a few hours later in the ruddy glow of the firelight. It was a little before the days of domestic high art in Victoria, and it was by no means the charming apartment that it is now. There was no dado, no parquetry floor, no tiled hearth, no _etagere_ mantelpiece -- nor Persian rugs under foot, nor Limoges plaques and Benares dishes on the walls, nor Japanese screens and jars, nor treasures of jade and china, nor anything, in fact, that there ought to have been.

The pleasant firelight danced upon a whitewashed ceiling, plentifully adorned with plaster-of-Paris mouldings, and upon whitey-grey walls sprigged with golden flowers. The floor was completely covered with a vivid green carpet, also sprinkled with flowers; and the windows were draped with brilliant damask to match, depending from immense gilt cornices in festoons looped with cords and tassels. There was a cut-glass chandelier hanging down in the middle, and there was a gigantic pier-glass reaching from the marble chimney-piece to the plaster-of-Paris frieze, with little gold cupids sitting on the top of it, tying wreaths of gold flowers into a knot.