The Well of Loneliness by Radclyffe Hall — Read

The motoring, of course, was the most tremendous fun, but -- and it was a very large but indeed -- when Stephen got home to Morton and the schoolroom, a little grey figure would be sitting at the table correcting an exercise book, or preparing some task for the following morning. The little grey figure might look up and smile, and when it did this its face would be charming; but if it refrained from smiling, then its face would be ugly, too hard and too square in formation -- except for the brow, which was rounded and shiny like a bare intellectual knee. If the little grey figure got up from the table, you were struck by the fact that it seemed square all over -- square shoulders, square hips, a flat, square line of bosom; square tips to the fingers, square toes to the shoes, and all tiny; it suggested a miniature box that was neatly spliced at the corners. Of uncertain age, pale, with iron-grey hair, grey eyes, and invariably dressed in dark grey, Miss Puddleton did not look very inspiring -- not at all as one having authority, in fact. But on close observation it had to be admitted that her chin, though minute, was extremely aggressive. Her mouth, too, was firm, except when its firmness was melted by the warmth and humour of her smile -- a smile that mocked, pitied and questioned the world, and perhaps Miss Puddleton as well.

From the very first moment of Miss Puddleton's arrival, Stephen had had an uncomfortable conviction that this queer little woman was going to mean something, was going to become a fixture. And sure enough she had settled down at once, so that in less than two months it seemed to Stephen that Miss Puddleton must always have been at Morton, must always have been sitting at the large walnut table, must always have been saying in that dry, toneless voice with the Oxford accent: "You've forgotten something, Stephen," and then, "the books can't walk to the bookcase, but you can, so suppose that you take them with you."