Explore "The Trap" by Dorothy M. Richardson on Textopian. Read with annotations and highlights.
Swaggering along the middle of the empty pavement, the long cape of his short overcoat swinging like the cloak of a stage villain. With bent head he is playing his part to an imagined audience. He knows nothing of the contrast between the small figure and the big arrogance.
He swung round into Flaxman's Court, and Miriam, following, paused for joy, mentally summoning heralds to precede and a brass band to follow him, so stately with head held high and plunging gait controlled to a military strut, was his entry into the humble street. He stopped just as she moved aside to gain her door, swung right about and bore down upon her, bowing, slouch hat in hand.