Explore "The Border Rifles" by Gustave Aimard on Textopian. Read with annotations and highlights.
We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.
If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.