The Mummy! by Jane C. Loudon — Read

In the meantime, Sir Ambrose Montagu had attended the Duke to the Queen's drawing-room. The splendour of the English Court at this period defies description. The walls of the room in which the Queen received her guests, were literally one blaze of precious stones, and these being disposed in the form of bouquets, wreaths, and trophies, were so contrived as to quiver with every movement. These magnificent walls were relieved by a colonnade of pillars of solid gold, around which, were twined wreaths of jewels fixed also upon elastic gold wires, so as to tremble every instant. The throne of the Queen was formed of gold filagree beautifully wrought, richly chased and superbly ornamented, whilst behind it was an immense plate of looking-glass, stretching the whole length and height of the apartment, and giving the whole the effect of a fairy palace. The carpet spread upon the floor of this sumptuous saloon was so exact an imitation of green moss, with exquisitely beautiful groups of flowers thrown carelessly upon it, that a heedless spectator might have been completely deceived by the delicacy of their shape and richness of their colouring, and have stooped to pick them up, supposing them to be real. The suit of rooms appropriated to dancing was equally splendid, and fitted up in the same manner, save that the floors were painted to imitate the effect of the carpet, and rows of trees were placed on each side, hung with lamps. This imitative grove was so exquisitely managed, that the spectator could scarcely believe it artificial; and the music for dancing proceeded from its leaves, or from automaton birds placed carelessly amongst its branches.

The dresses of the Queen and her attendants were worthy of the apartment they occupied. Brocaded silks, cloth of gold, embroidered velvets, gold and silver tissues, and gossamer nets made of the spider's web, were mingled with precious stones and superb plumes of feathers in a profusion quite beyond description. The most beautiful of the female habiliments, were robes made of woven asbestos, which glittered in the brilliant light like molten silver. The ladies were all arrayed in loose trousers, over which hung drapery in graceful folds; and most of them carried on their heads, streams of lighted gas forced by capillary tubes, into plumes, fleurs-de-lis, or in short any form the wearer pleased; which jets de feu had an uncommonly chaste and elegant effect. The gentlemen were all clothed in the Spanish style, with slashed sleeves, short cloaks, and large hats, ornamented with immense plumes of ostrich feathers, it being considered in those days extremely vulgar to appear with the head uncovered. It would be difficult, perhaps, to imagine more perfect models of male and female beauty than those which now adorned the Court of Queen Claudia, for the beau ideal of the painter's fancy seemed realized, nay surpassed by the noble living figures there collected. The women were particularly lovely, and as they stood gathered round their Queen, or lightly threaded the mazes of the graceful dance, dressed as above described, their brows bound with circlets of precious stones, and their glossy hair hanging in rich luxuriant ringlets upon their ivory shoulders, they looked like a group of Houris, or the nymphs of Circe, ready with sparkling eyes and witching voices to lure men to destruction.