Memories and Portraits by Robert Louis Stevenson

I am asked to write something (it is not specifically stated what) to the profit and glory of my _Alma Mater_; and the fact is I seem to be in very nearly the same case with those who addressed me, for while I am willing enough to write something, I know not what to write. Only one point I see, that if I am to write at all, it should be of the University itself and my own days under its shadow; of the things that are still the same and of those that are already changed: such talk, in short, as would pass naturally between a student of to-day and one of yesterday, supposing them to meet and grow confidential.{15}

The generations pass away swiftly enough on the high seas of life; more swiftly still in the little bubbling back-water of the quadrangle; so that we see there, on a scale startlingly diminished, the flight of time and the succession of men. I looked for my name the other day in last year's case-book of the Speculative. Naturally enough I looked for it near the end; it was not there, nor yet in the next column, so that I began to think it had been dropped at press; and when at last I found it, mounted on the shoulders of so many successors, and looking in that posture like the name of a man of ninety, I was conscious of some of the dignity of years. This kind of dignity of temporal precession is likely, with prolonged life, to become more familiar, possibly less welcome; but I felt it strongly then, it is strongly on me now, and I am the more emboldened to speak with my successors in the tone of a parent and a praiser of things past.