The Principal Boy by Israel Zangwill — Read

The Oriental, on Boxing Night, was like a baker's oven for temperature, and an unopened sardine-barrel for populousness. The East-end had poured its rollicking multitudes into the vast theatre, which seethed over with noisy vitality. There was much traffic in ginger beer, oranges, Banbury cakes, and "bitter. " The great audience roared itself hoarse over old choruses with new words. Lucy Gray, as Prince Prettypet, made an instant success. The mashers of the Oriental ogled her in silent flattery. Her clear elocution, her charming singing voice, her sprightly dancing, her _chic_, her frank vulgarity, when she "let herself go," took every heart captive. Every heart, that is, save one, which was filled with sickness and anguish, and covered with a veil of fine linen. The heir of the house of Redhill cowered at the back of the O. P. stage-box -- the only place in the house disengaged when he drove up in a mistaken dress-suit.

It was the first time he had seen Prince Prettypet since the merry tea-party, and he did not know why he was seeing her now. He hoped she did not see him. She pirouetted up to the front of his box pretty often during the evening, and several times hurled ancient wheezes at the riotous funnymen from that coign of vantage. Spoken so near his ear, the vulgar jokes tingled through him like lashes from a whip. Once she sang a chorus, winking in his direction. But that was the business of the song, and impersonal. He saw no sure signs of recognition, and was glad.