Explore "The Quicksand" by Edith Wharton on Textopian. Read with annotations and highlights.
Mrs. Quentin, in the late spring afternoon, had turned in at the doors of the Metropolitan Museum. She had been walking in the Park, in a solitude oppressed by the ever-present sense of her son's trouble, and had suddenly remembered that some one had added a Beltraffio to the collection. It was an old habit of Mrs. Quentin's to seek in the enjoyment of the beautiful the distraction that most of her acquaintances appeared to find in each other's company. She had few friends, and their society was welcome to her only in her more superficial moods; but she could drug anxiety with a picture as some women can soothe it with a bonnet.
During the six months that had elapsed since her visit to Miss Fenno she had been conscious of a pain of which she had supposed herself no longer capable: as a man will continue to feel the ache of an amputated arm. She had fancied that all her centres of feeling had been transferred to Alan; but she now found herself subject to a kind of dual suffering, in which her individual pang was the keener in that it divided her from her son's. Alan had surprised her: she had not foreseen that he would take a sentimental rebuff so hard. His disappointment took the uncommunicative form of a sterner application to work. He threw himself into the concerns of the _Radiator_ with an aggressiveness that almost betrayed itself in the paper. Mrs. Quentin never read the _Radiator_, but from the glimpses of it reflected in the other journals she gathered that it was at least not being subjected to the moral reconstruction which had been one of Miss Fenno's alternatives.