The Fortunes of Oliver Horn

Margaret's decision saddened Oliver's last days at home, and he returned to New York with none of his former buoyancy. Here other troubles began to multiply. Before the autumn was gone, Morton, Slade & Co., unable longer to make headway against the financial difficulties that beset them, went to the wall, involving many of their fellow-merchants. Oliver lost his situation, in consequence, and was forced to support himself during the long dreary winter by making lithographic drawings for Bianchi, at prices that barely paid his board. His loneliness in the garret room became more intense, Fred being much away and the occupants of the other rooms being either strangers to him or so uncongenial that he would not make their acquaintance.

To his own troubles were added other anxieties. The political outlook had become even more gloomy than the financial. The roar of Sumter's guns had reverberated throughout the land, and men of all minds were holding their breath and listening, with ears to the ground, for the sound of the next shot. Even Margaret's letters were full of foreboding. "Father is more bitter against the South than ever," she wrote. "He says if he had ten sons each should shoulder a musket. We must wait, Ollie dear. I can only talk to mother about you. Father won't listen, and I never mention your name before him. Not because it is you, Ollie, but because you represent a class whom he hates. Dear John would listen, but he is still in Boston. Even his fellow-classmen want to fight, he says. I fear all this will hurt my work, and keep me from painting."