Explore "Michael, Brother of Jerry" by Jack London on Textopian. Read with annotations and highlights.
"The thing is, Johnny, you can't love dogs into doing professional tricks, which is the difference between dogs and women," Collins told his assistant. "You know how it is with any dog. You love it up into lying down and rolling over and playing dead and all such dub tricks. And then one day you show him off to your friends, and the conditions are changed, and he gets all excited and foolish, and you can't get him to do a thing. Children are like that. Lose their heads in company, forget all their training, and throw you down."
"Now on the stage, they got real tricks to do, tricks they don't do, tricks they hate. And they mightn't be feeling good -- got a touch of cold, or mange, or are sour-balled. What are you going to do? Apologize to the audience? Besides, on the stage, the programme runs like clockwork. Got to start performing on the tick of the clock, and anywhere from one to seven turns a day, all depending what kind of time you've got. The point is, your dogs have got to get right up and perform. No loving them, no begging them, no waiting on them. And there's only the one way. They've got to know when you start, you mean it."