Explore "The Count's Millions" by Emile Gaboriau on Textopian. Read with annotations and highlights.
The woman in the carriage was none other than Madame Lia d'Argeles. She was attired in one of those startling costumes which are the rage nowadays, and which impart the same bold and brazen appearance to all who wear them: so much so, that the most experienced observers are no longer able to distinguish the honest mother of a family from a notorious character. A Dutchman, named Van Klopen, who was originally a tailor at Rotterdam, rightfully ascribes the honor of this progress to himself. One can scarcely explain how it happens that this individual, who calls himself "the dressmaker of the queens of Europe," has become the arbiter of Parisian elegance; but it is an undeniable fact that he does reign over fashion.
He decrees the colors that shall be worn, decides whether dresses shall be short or long, whether paniers shall be adopted or discarded, whether ruches and puffs and flowers shall be allowed, and in what form; and his subjects, the so-called elegant women of Paris, obey him implicitly.