Shut Out by Thomas Anstey Guthrie — Read

It is towards the end of an afternoon in December, and Wilfred Rolleston is walking along a crowded London street with his face turned westward. A few moments ago and he was scarcely conscious of where he was or where he meant to go: he was walking on mechanically in a heavy stupor, through which there stole a haunting sense of degradation and despair that tortured him dully. And suddenly, as if by magic, this has vanished: he seems to himself to have waked from a miserable day dream to the buoyant consciousness of youth and hope. Temperaments which are subject to fits of heavy and causeless depression have their compensations sometimes in the reaction which follows; the infesting cares, as in Longfellow's poem, 'fold their tents, like the Arabs, and as silently steal away,' and with their retreat comes an exquisite exhilaration which more equable dispositions can never experience.

Is this so with Rolleston now? He only knows that the cloud has lifted from his brain, and that in the clear sunshine which bursts upon him now he can look his sorrows in the face and know that there is nothing so terrible in them after all.