Explore "The Three Eyes" by Maurice LeBlanc on Textopian. Read with annotations and highlights.
We have but to read the newspapers of the period, to realize that the excitement caused by the Meudon pictures reached its culminating point as the result of Benjamin Prevotelle's essay. I have four of those newspapers, dated the following day, on my table as I write. Not one of them contains throughout its eight pages a single line that does not refer to what at once became known as the Splendid Theory.
For the rest, the chorus of approval and enthusiasm was general, or very nearly so. There were barely a few cries of vehement protest uttered by experts who felt exasperated by the boldness of the essay even more than by the gaps occurring in it. The great mass of the public saw in all this not a theory but a fact and accepted it as such with the faith of true believers confronted with the divine truth. Every one contributed his own proof as yet one more stone added to the edifice. The objections, however strong they might be -- and they were set forth without compromise -- seemed temporary and capable of being removed by closer study and a more careful confirmation of the phenomena.