An American Tragedy by Theodore Dreiser — Read

OCTOBER 15--with gray clouds and a sharp, almost January wind that herded the fallen leaves into piles and then scurried them in crisp and windy gusts like flying birds here and there. And, in spite of the sense of struggle and tragedy in the minds of many, with an electric chair as the shadowy mental background to it all, a sense of holiday or festival, with hundreds of farmers, woodsmen, traders, entering in Fords and Buicks--farmer wives and husbands-- daughters and sons--even infants in arms. And then idling about the public square long before the time for court to convene, or, as the hour neared, congregating before the county jail in the hope of obtaining a glimpse of Clyde, or before the courthouse door nearest the jail, which was to be the one entrance to the courtroom for the public and Clyde, and from which position they could see and assure entrance into the courtroom itself when the time came. And a flock of pigeons parading rather dismally along the cornices and gutters of the upper floor and roof of the ancient court.

And with Mason and his staff--Burton Burleigh, Earl Newcomb, Zillah Saunders, and a young Bridgeburg law graduate by the name of Manigault--helping to arrange the order of evidence as well as direct or instruct the various witnesses and venire-men who were already collecting in the antechamber of the now almost nationally known attorney for the people. And with cries outside of: "Peanuts!" "Popcorn!" "Hot dogs!" "Get the story of Clyde Griffiths, with all the letters of Roberta Alden. Only twenty-five cents!" (This being a set of duplicate copies of Roberta's letters which had been stolen from Mason's office by an intimate of Burton Burleigh's and by him sold to a penny-dreadful publisher of Binghamton, who immediately issued them in pamphlet form together with an outline of "the great plot" and Roberta's and Clyde's pictures.)