Simulacra and Simulation by Jean Baudrillard

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The fundamental stake is at the level of television and information. Just as the extermination of the Jews disappeared behind the televised event Holocaust - the cold medium of television having been simply substituted for the cold system of extermination one believed to be exorcising through it - so The China Syndrome is a great example of the supremacy of the televised event over the nuclear event which, itself, remains improbable and in some sense imaginary.

Besides, the film shows this to be the case (without wanting to): that TV is present precisely where it happens is not coincidental, it is the intrusion of TV into the reactor that seems to give rise to the nuclear incident - because TV is like its anticipation and its model in the everyday universe: telefission of the real and of the real world; because TV and information in general are a form of catastrophe in the formal and topological sense Rene Thorn gives the word: a radical qualitative change of a whole system. Or, rather, TV and the nuclear are of the same nature: behind the "hot" and negentropic concepts of energy and information, they have the same power of deterrence as cold systems do. TV itself is also a nuclear process of chain reaction, but implosive: it cools and neutralizes the meaning and the energy of events.

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