Explore "Fountains in the Sand" by Norman Douglas on Textopian. Read with annotations and highlights.
One dines early in Gafsa, and afterwards there is nothing, absolutely nothing, to do. Cafes become tedious with their card-games, cowboy politics and persistent allusions to "la femme," that protean fetich which dominates and saturates the Gallic mind, oozing out, so to speak, at every pore of their social and national life. They never seem to grow out of the _Ewig-weibliche_ stage. If only, like the Maltese, they would talk less and do more in certain respects, the "comite du peuplement" might close its doors. But such recklessness would ill comport with the ant-like hiving quality which paid back, within I forget how few years, the German war indemnity.
After dinner, therefore, a short promenade about the streets and oasis, to court that illusive phantom, sleep, and to replenish the mind with new and peaceful images. I found a cloudless and relatively warm night. The wind had died down, and there was a brilliant comet (the Johannesburg comet) in the sky. Knots of natives were gazing at it with disfavour: I listened, and heard one of them attributing the Franco-Tripolitan frontier incident to its baleful fires. "And there is more to come," he added, "unless it goes away. " Townspeople, of course; the cultivators are asleep long ago.