Fountains in the Sand by Norman Douglas — Read

There are cities in the East where, from ramparts that support fairy-like palaces -- complicated assemblages of courts and plashing fountains and cool chambers through which the breeze wanders in an artificial twilight of marble screens pierced so craftily, one might think them a flowing drapery of lace-work -- where, from such wizard creations of Oriental pomp, you glance down and behold, stretched at your feet, a burning waste of sand. A fine incentive to the luxurious imagination of a tyrant, this contrast, that has all the glamour of a dream.

But such abrupt transitions are not the rule. Midway between the pulsating town-life and the desert there lies, mostly, a sinister extra-mural region, a region of gaping walls and potsherds, where the asphodel shoot up to monstrous tufts and the fallacious colocynth, the wild melon, scatters its globes of bitter gold. For it is in the nature of Orientals that their habitations should surround themselves with a girdle of corrupting things, gruesome and yet fascinating: a Browning might have grown enamoured of its macabre spell.