The Extraordinary Confessions of Diana Please

I learned, as you shall understand, to readjust my first impression of de Crespigny. It is certain one must not judge the quality of the wine by the vessel. He was a great artist, who ran quickly to waste in the passions evoked of his own conceptions. From the mouth downwards he was a sensualist, and not fit to trust himself with a fair model. Shut into a monastery, he would have been a Fra Angelico.

At the first he captured me, when once I was familiarised with the ungainly exterior of the creature. To see him work -- ardent, engrossed, unerring in the early enthusiasm of a subject -- was a revelation. He stood so slack, he ran so to moral exhaustion when delivered of his inspiration, it was impossible to recognise the master of a moment ago in this invertebrate body with the loose wrists and silly laugh. If he could only have been kept always at the high pressure of his conceptions! Sometimes I wondered if it was in me to make him great and hold him. It would have been splendid to be the Hamilton to this Romney. Yet in the end I found the game not worth the candle. He was soft wax, indeed, for seven-eighths of his length, and the littlest puff from red lips could blow all the flame out of his head.