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Dolores had prepared no speech with which to appeal to the King, and she had not counted upon her own feelings towards him when she found herself in the room where Mendoza had been questioned, and heard the door closed behind her by the chamberlain who had announced her coming. She stood still a moment, dazzled by the brilliant lights after having been so long in the dimmer waiting room. She had never before been in the King's study, and she had fancied it very different from what it really was when she had tried to picture to herself the coming interview. She had supposed the room small, sombre, littered with books and papers, and cold; it was, on the contrary, so spacious as to be almost a hall, it was brightly illuminated and warmed by the big wood fire. Magnificent tapestries covered the walls with glowing colour, and upon one of these, in barbaric bad taste, was hung a single great picture by Titian, Philip's favourite master.
Dolores blushed as she recognized in the face of the insolent Venus the features of the Princess of Eboli. Prom his accustomed chair, the King could see this painting. Everywhere in the room there were rich objects that caught and reflected the light, things of gold and silver, of jade and lapis lazuli, in a sort of tasteless profusion that detracted from the beauty of each, and made Dolores feel that she had been suddenly transported out of her own element into another that was hard to breathe and in which it was bad to live. It oppressed her, and though her courage was undiminished, the air of the place seemed to stifle her thought and speech.