The Island of Stone Money

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That I might obtain permanent records of their songs and incantations, I carried with me a large-sized phonograph, with all needful appliances. With much relish I anticipated the consternation of the natives when they saw and heard a box whence issued a living human voice and music played by all sorts of instruments.

In order to introduce them to it with due paralysing effect, I made a selection of band music and several songs in English; with these I intended to charm them before requesting them to speak or sing into that embarrassing, expressionless metal horn. Experience had taught me, however, the impossibility of foretelling the fashion in which untutored minds will accept such miracles, and I was not altogether unprepared to have their bewilderment find expression in a shower of well-directed coconuts at the first bars of "Lead kindly light" or other soothing, peaceful hymns. But what was my unexpected amazement and infinite chagrin, when the audience I had gathered displayed not the faintest interest in the performance beyond the sight of the revolution of the little wax cylinder. A living, human voice, singing a sweet English love-song, and issuing from a brass horn attached to a machine, was, to them, not half as awesome as the whirling wheels and the buzz of clock-work; some of the audience actually turned away in indifference, if not in disgust, and went off to resume their work of husking coconuts.

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