Loretta of the Shipyards

Explore "Loretta of the Shipyards" by Francis Hopkinson Smith on Textopian. Read with annotations and highlights.

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For centuries the painters of Venice have seized and made their own the objects they loved most in this wondrous City by the Sea. Canaletto, ignoring every other beautiful thing, laid hold of quays backed by lines of palaces bordering the Grand Canal, dotted with queer gondolas rowed by gondoliers, in queerer hoods of red or black, depending on the guild to which they belonged. Turner stamped his ownership on sunset skies, silver dawns, illuminations, fetes, and once in a while on a sweep down the canal past the Salute, its dome a huge incandescent pearl. Ziem tied up to the long wall and water steps of the Public Garden, aflame with sails of red and gold: he is still there -- was the last I heard of him, octogenarian as he is. Rico tacks his card to garden walls splashed with the cool shadows of rose-pink oleanders dropping their blossoms into white and green ripples, melting into blue.

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