Explore "The Romance of a Mummy and Egypt" by Théophile Gautier on Textopian. Read with annotations and highlights.
The railway to Cairo runs first along a narrow strip of sand which separates the Baheirehma'adieh, or Lake of Aboukir, from Lake Mareotis, now filled with salt water. As you go towards Cairo, Lake Mareotis is on your right and the Lake of Aboukir on your left. The former stretches out like a sea between shores so low that they disappear, and thus make it impossible to estimate the size of the lake, which melts away into the sky on the horizon.
The sunlight fell perpendicularly upon its smooth waters, and made them flash and sparkle until the eye was weary; in other places, the gray waters lay stagnant amid the gray sands, or else were of the dead white of tin. It would have been easy to believe one's self in the Holland Polders, travelling along one of the sleepy inland seas. The heavens were as colourless as Van der Velde's skies, and the travellers, who, trusting to painters, had dreamed of a blaze of colour, gazed with amazement upon the vast extent of absolutely flat, grayish toned land, which in no wise recalled Egypt, at least such as one imagines it to be. On the side opposite Lake Mareotis rose, in the midst of luxuriant gardens, the country homes of the rich merchants of the city, of the government officials and of the consuls, painted in bright colours, sky-blue, rose or yellow, picked out with white, and here and there the great sails of boats, bound to Foueh or to Rosetta through the Mahmoudieh Canal, showed above the vegetation and seemed to be travelling on dry land. This curious effect, which always causes surprise, is often met with in the neighbourhood of Leyden, Dordrecht, and Haarlem, and in swampy countries where the water lies level with the ground, and sometimes even, kept in by dikes, is higher than the level of the country by several yards.