Explore "Tatterdemalion" by John Galsworthy on Textopian. Read with annotations and highlights.
Coming one dark December evening out of the hospital courtyard into the corridor which led to my little workroom, I was conscious of two new arrivals. There were several men round the stove, but these two were sitting apart on a bench close to my door. We used to get men in all stages of decrepitude, but I had never seen two who looked so completely under the weather. They were the extremes -- in age, in colouring, in figure, in everything; and they sat there, not speaking, with every appearance of apathy and exhaustion. The one was a boy, perhaps nineteen, with a sunken, hairless, grey-white face under his peaked cap -- never surely was face so grey! He sat with his long grey-blue overcoat open at the knees, and his long emaciated hands nervously rubbing each other between them. Intensely forlorn he looked, and I remember thinking: "That boy's dying! " This was Bidan.
The other's face, in just the glimpse I had of it, was as if carved out of wood, except for that something you see behind the masks of driven bullocks, deeply resentful. His cap was off, and one saw he was grey-haired; his cheeks, stretched over cheekbones solid as door-handles, were a purplish-red, his grey moustache was damp, his light blue eyes stared like a codfish's. He reminded me queerly of those Parisian _cochers_ one still sees under their shining hats, wearing an expression of being your enemy. His short stocky figure was dumped stolidly as if he meant never to move again; on his thick legs and feet he wore mufflings of cloth boot, into which his patched and stained grey-blue trousers were tucked. One of his gloved hands was stretched out stiff on his knee. This was Poirot.