Explore "Henry IV" by Luigi Pirandello on Textopian. Read with annotations and highlights.
The throne room so dark that the wall at the bottom is hardly seen. The canvasses of the two portraits have been taken away; and, within their frames, Frida, dressed as the "Marchioness of Tuscany" and Charles Di Nolli, as "Henry IV.," have taken the exact positions of the portraits.
For a moment, after the raising of curtain, the stage is empty. Then the door on the left opens; and Henry IV., holding the lamp by the ring on top of it, enters. He looks back to speak to the four young men who, with John, are presumedly in the adjoining hall, as at the end of the second act.