Sick Heart River by John Buchan — Read

A figure was taking shape at the back of Leithen's mind, a figure without material mould, but an outline of character. He was beginning to realise something of the man he had come to seek. The following afternoon, when he stood in the hall of the Galliards' apartment in Park Avenue, he had the chance of filling in the physical details, for he was looking at a portrait of the man.

It was one of the young Van Rouyn's most celebrated achievements, painted two years earlier. It showed a man in riding breeches and a buff leather coat sitting on a low wall above a flower garden. His hair was a little ruffled by the wind, and one hand was repelling the advances of a terrier. Altogether an attractive detail of what should have been a "conversation piece. " Leithen looked at the picture with the liveliest interest. Galliard was very different from the conception he had formed of him. He had thought of him as a Latin type, slim and very dark, and it appeared that he was more of a Norman, with well-developed shoulders like a football player. It was a pleasant face, the brown eyes were alight with life, and the mouth was both sensitive and firm. Perhaps the jaw was a little too fine drawn, and the air of bonhomie too elaborate to be quite natural. Still, it was a face a man would instinctively trust, the face of a good comrade, and there could be no question about its supreme competence. In every line there was energy and quick decision.