A Comedy of Masks by Ernest Dowson — Read

Indolence and ill-health, in the opinion of many the salient points in Philip Rainham's character, had left him at forty with little of the social habit. The circle of his intimates had sensibly narrowed, and for the rest he was becoming more and more conscious that people whom one does not know exceedingly well are not worth knowing at all. The process of dining out two or three times a week in the company of two or three persons whose claims on his attention were of the slenderest he found a process attended with less and less pleasure the older he grew. There were few houses now which he frequented, and this year, when he had made an effort to devote a couple of evenings to the renewal of some acquaintance of the winter, and had discovered, as he had discovered anew each season, that the effort gave him no appreciable compensations for the disagreeables it involved, he made fresh resolutions of abstinence, and on the whole he kept them amazingly well.

For the most part, when he was not routed out by Lightmark (and since the young artist was in train to become a social acquisition this happened less frequently than of old), it was at Blackpool that he spent his evenings. He had, it is true, a standing invitation to dinner at Lady Garnett's when that old lady found herself at home; but Portman Square was remote, and evening dress, to a man with one lung in a climate which had so fickle a trick of registering itself either at the extreme top or bottom of the thermometer, presented various discomforts. His den behind the office -- a little sitting-room with a bay-window facing Blackpool Reach, a room filled with books that had no relation to shipping, and hung round with etchings and pictures in those curiously-low tones for which he had so unreasonable an affection -- was what he cherished most in London.