A Comedy of Masks by Ernest Dowson — Read

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There was a ceaseless hum of voices in the labyrinth of brilliant rooms, with their atmosphere of transient spring sunshine and permeating, faint odour of fresh paint. Few people came to see the pictures, which covered the walls with a crude patchwork of seas and goddesses, portraits and landscapes: all that by popular repute were worth seeing had been exhibited already to the people who were now invited to view them, -- at the studios on Show Sunday, and on the Outsiders' Day. One entered the gloomy gates of Burlington House on the yearly occasion of the Private View because it was, socially, a great public function, in order to see the celebrities, who were sure to be there, from the latest actress to the newest bishop. In one corner a belated critic endeavoured to scratch hasty impressions on his shirt-cuff or the margin of a little square catalogue; in another an interested dealer used his best endeavours to rivet a patron's attention on the merits of his speculative purchase.

The providers of the feast were not so much in evidence as their wives and daughters; the artist often affects to despise the occasion, and contents himself with a general survey -- frequently limited to his own pictures -- on Varnishing Day.

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