The Parisians, Book XII by Edward Bulwer-lytton

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When, a little before noon, Gustave was admitted by the servant into Isaura's salon, its desolate condition, stripped of all its pretty feminine elegancies, struck him with a sense of discomfort to himself which superseded any more remorseful sentiment. The day was intensely cold: the single log on the hearth did not burn; there were only two or three chairs in the room; even the carpet, which had been of gaily coloured Aubusson, was gone. His teeth chattered; and he only replied by a dreary nod to the servant who informed him that Madame Venosta was gone out, and Mademoiselle had not yet quitted her own room.

If there be a thing which a true Parisian of Rameau's stamp associates with love of woman, it is a certain sort of elegant surroundings, a pretty _boudoir_, a cheery hearth, an easy _fauteuil_. In the absence of such attributes, "fuyit retro Venus. " If the Englishman invented the word comfort, it is the Parisian who most thoroughly comprehends the thing. And he resents the loss of it in any house where he has been accustomed to look for it, as a personal wrong to his feelings.

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