Explore "The Crime 1920" by Max Beerbohm on Textopian. Read with annotations and highlights.
On a bleak wet stormy afternoon at the outset of last year's Spring, I was in a cottage, all alone, and knowing that I must be all alone till evening. It was a remote cottage, in a remote county, and had been 'let furnished' by its owner. My spirits are easily affected by weather, and I hate solitude. And I dislike to be master of things that are not mine. 'Be careful not to break us,' say the glass and china. 'You'd better not spill ink on me,' growls the carpet. 'None of your dog's-earing, thumb-marking, back-breaking tricks here! ' snarl the books.
The books in this cottage looked particularly disagreeable -- horrid little upstarts of this and that scarlet or cerulean 'series' of 'standard' authors. Having gloomily surveyed them, I turned my back on them, and watched the rain streaming down the latticed window, whose panes seemed likely to be shattered at any moment by the wind. I have known men who constantly visit the Central Criminal Court, visit also the scenes where famous crimes were committed, form their own theories of those crimes, collect souvenirs of those crimes, and call themselves Criminologists. As for me, my interest in crime is, alas, merely morbid. I did not know, as those others would doubtless have known, that the situation in which I found myself was precisely of the kind most conducive to the darkest deeds. I did but bemoan it, and think of Lear in the hovel on the heath. The wind howled in the chimney, and the rain had begun to sputter right down it, so that the fire was beginning to hiss in a very sinister manner. Suppose the fire went out! It looked as if it meant to. I snatched the pair of bellows that hung beside it. I plied them vigorously. 'Now mind! -- not too vigorously. We aren't yours! ' they wheezed. I handled them more gently. But I did not release them till they had secured me a steady blaze.